Tannhauser in the Venusberg by August von Heckel 1824-1883
"Ragged, bald, and desolate, as though a curse rested upon it, rises the Hörselberg out of the rich and populous land between Eisenach and Gotha, looking, from a distance, like a huge stone sarcophagus-a sarcophagus in which rests in magical slumber, till the end of all things, a mysterious world of wonders.
High up on the north-west flank of the mountain in a precipitous wall of rock, opens a cavern, called the Hörselloch, from the depths of which issues a muffled roar of water, as though a subterraneous stream were rushing over rapidly-whirling mill-wheels. "When I have stood alone on the ridge of the mountain," says Bechstein, "after having sought the chasm in vain, I have heard a mighty rush, like that of falling water, beneath my feet, and after scrambling down the scarp, have found myself-how, I never knew-in front of the cave." ("Sagenschatz des Thüringes-landes," 1835.)
In ancient days, according to the Thüringian Chronicles, bitter cries and long-drawn moans were heard issuing from this cavern; and at night wild shrieks, and the burst of diabolical laughter would ring out from it over the vale, and fill the inhabitants with terror. It was supposed that this hole gave admittance to Purgatory; and the popular but faulty derivation of of Hörsel was Hore, die seele, Hark, the Souls!
But another popular belief respecting this mountain was, that in it Venus, the pagan Goddess of Love, held her court in all the pomp and revelry of heathendom; and there were not a few who declared that they had seen fair forms of female beauty beckoning them from the mouth of the chasm, and that they had heard dulcet strains of music well up from the abyss above the thunder of the falling, unseen torrent. Charmed by the music, and allured by the spectral forms, various individuals had entered the cave, and none had returned except the Tanhäuser, of whom more anon. Still does the Hörselberg go by the name of Venusberg, a name frequently used in the Middle Ages, but without its locality being always defined.
...
And now for the story of Tanhäuser.
A French knight was riding over the beauteous meadows in the Hörsel vale on his way to Wartburg, where the Landgrave Hermann was holding a gathering of mistrels, who were to contend in song for a prize.
Tanhäuser was a famous minnesinger, and all his lays were of love and of women, for his heart was full of passion, and that not of the purest and noblest description.
It was towards dusk that he passed the cliff in which is the Hörselloch, and as he rode by, he saw a white glimmering figure of matchless beauty standing before him, and beckoning him to her. He knew her at once, by her attributes and by her superhuman perfection, to be none other than Venus. As she spake to him the sweetest strains of music floated in the air, a soft roseate light glowed around her, and nymphs of exquisite loveliness scattered roses at her feet. A thrill of passion ran through the veins of the minnesinger; and, leaving his horse, he followed the apparition. It led him up the mountain to the cave, and as it went flowers bloomed upon the soil, and a radiant track was left for Tanhäuser to follow. He entered the cavern, and descended to the palace of Venus in the heart of the mountain."
-Curious myths of the Middle Ages by Sabine Baring-Gould 1876
Tannhauser in the Venusberg by August von Heckel 1824-1883. 88.9 x 131.5 cm. (35 x 51.8 in.). |
Source:
http://www.artnet.com/artists/august-von-heckel/tannhauser-in-the-venusberg-qtcsIb8hRwmVayhBbpINNQ2
https://www.pinterest.com/pin/347410558725187813/
Quote:
https://archive.org/details/curiousmythsofmi00bariuoft/page/212/mode/2up
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